Reference copy
The contract, unsigned.
Both documents I ask people to sign: the agreement, and the model release that goes with it if you are the person in front of the camera. Nothing filled in and nothing left out. Read them now rather than later. Last updated 9 September 2026.
Nothing on this page binds anyone.
It is a blank copy, published so you can read it in your own time. The agreement only exists once both of us have signed a copy with your booking details filled into Schedule A at the end: the date, the location, the number of images, and the fee, which is $0 for model call shoots. If we work together I will email you that copy before the day, and it will say the same things this one does.
Photography Services and License Agreement
Chedeuxx LLC, an Ohio limited liability company. Governed by Ohio law.
This version took effect on 9 September 2026. If you signed an earlier one, that is still the version that governs you, and nothing here is applied backwards against you. Where a change is in your favour it reaches you automatically. That is clause 17.12, and it is the reason this page carries a date rather than a month.
This Agreement is made as of the Effective Date by and between Chedeuxx LLC, an Ohio limited liability company (“Photographer”), and the person or organization named in Schedule A (“Client”). Photographer and Client are each a “Party” and together the “Parties.” The specific booking details are set out in Schedule A, which is incorporated into and forms part of this Agreement. Where a term in Schedule A conflicts with the body of this Agreement, Schedule A controls.
1. Services
1.1 Photographer will provide photography services on the date, at the location, and for the duration described in Schedule A (the "Session"), and will deliver edited digital photographs from the Session (the "Photographs") as described in Section 4.
1.2 The scope of the Session is limited to what is described in Schedule A. Any additional coverage, additional locations, additional deliverables, video, prints, or rush turnaround is outside this Agreement and requires a separate written agreement or written addendum signed by both Parties.
1.3 If Client requests that Photographer continue working beyond the hours included in Schedule A and Photographer agrees at the time, the additional time will be billed at the overtime rate stated in Schedule A, in half-hour increments, and is due with the final balance.
2. Fees and Payment
2.1 Client will pay the total fee stated in Schedule A. Payment is due according to the payment option selected in Schedule A. The Parties will select one of the following:
(a) Deposit at booking. A non-refundable deposit in the amount stated in Schedule A is due at the time of booking, with the remaining balance due on the day of the Session prior to the start of coverage. Under this option the booking is not confirmed and the date is not reserved until the deposit and this signed Agreement are both received.
(b) Payment in full on the day of the Session, prior to the start of coverage.
(c) Payment on delivery. The total fee is due within the number of days stated in Schedule A after Photographer delivers the Photographs. Under this option no deposit is required, and the booking is confirmed on receipt of this signed Agreement.
2.2 Where option (a) applies, the deposit is applied against the total fee, compensates Photographer for reserving the date and declining other work, and is not refundable except as expressly provided in Section 3. Where option (b) or (c) applies, no deposit is payable and references to a deposit elsewhere in this Agreement do not apply.
2.3 Travel outside a 50-mile radius of Cincinnati, Ohio, and any parking, admission, permit, or venue fees required for Photographer to perform the Session, are billed to Client at cost unless Schedule A states otherwise.
2.4 The license granted in Section 7 does not take effect until the total fee has been paid in full. Until payment is received, Client has no right to reproduce, display, distribute, or publish the Photographs for any purpose, whether or not the files have been delivered.
2.5 Where Schedule A states a total fee of zero, the Session is an unpaid collaboration. No money is owed in either direction, no deposit applies, and the license in Section 7 takes effect on delivery.
3. Cancellation and Rescheduling
3.1 Cancellation by Client. If Client cancels the Session, any deposit already paid is retained by Photographer. No further cancellation fee applies, and Client owes nothing beyond any expenses Photographer has already incurred on Client’s behalf.
3.2 Rescheduling by Client. Client may reschedule once without additional charge if Photographer receives written notice at least fourteen (14) days before the Session and Photographer is available on the proposed new date. The deposit transfers to the rescheduled date. Subsequent reschedules are treated as a cancellation and rebooking.
3.3 Cancellation by Photographer. If Photographer cancels for any reason other than a Force Majeure Event, Photographer will refund all amounts paid, including the deposit, and will make reasonable efforts to refer Client to another photographer. Photographer’s liability in that circumstance is limited as set out in Section 14.
3.4 Weather and outdoor sessions. For outdoor sessions, either Party may reschedule without penalty if weather conditions would make the Session unsafe or would materially prevent the intended photographs from being made. The Parties will act reasonably and will agree on a substitute date.
4. Deliverables and Delivery
4.1 Photographer will deliver the number of edited Photographs stated in Schedule A, within the turnaround period stated in Schedule A, by the delivery method stated in Schedule A. Turnaround periods run from the date of the Session, or from the date of final payment if later.
4.2 Photographs are delivered as edited digital files in a format and resolution selected by Photographer. Unless Schedule A states otherwise, raw or unedited files, rejected frames, and out-takes are not delivered and remain the property of Photographer.
4.3 Client is responsible for downloading and backing up the delivered files. Photographer will make the gallery available until the date stated in Schedule A, and has no obligation to archive, store, or re-deliver files after that date. Re-delivery after that date, if files remain available, may be subject to a retrieval fee.
4.4 Client is entitled to one (1) round of reasonable revision requests on the delivered edits, to be submitted within fourteen (14) days of delivery. Additional revisions, or requests to edit images not included in the delivered set, are billed at Photographer’s then-current hourly rate.
5. Creative Control
5.1 Client has engaged Photographer for Photographer’s particular style and judgment. Photographer retains sole artistic discretion over composition, lighting, image selection, and post-production, subject to any specific shot requests the Parties agree in writing before the Session.
5.2 Photographer will make reasonable efforts to accommodate a shot list provided in advance, but does not guarantee that any specific image, moment, or subject will be captured.
6. Ownership and Reservation of Rights
6.1 Photographer is the sole author and owner of the Photographs. The Photographs remain at all times the sole and exclusive property of Photographer, including the entire copyright and all other intellectual property rights in them throughout the world.
6.2 This Agreement grants a license and is not a sale or assignment of copyright. The Photographs are not "works made for hire" for Client under the U.S. Copyright Act or any other law.
6.3 All rights not expressly granted to Client are reserved to Photographer. Photographer retains the unrestricted right to use, license, and exploit the Photographs for any lawful purpose, subject only to Section 10.
7. License Granted to Client
7.1 Subject to Client’s full compliance with this Agreement, including payment in full, Photographer grants Client a limited, non-exclusive, non-transferable, non-sublicensable, worldwide, perpetual license to reproduce, display, distribute, and publish the Photographs for the Permitted Uses.
7.2 "Permitted Uses" means: (a) Client’s own promotional and marketing purposes, including Client’s website, social media accounts, email, print materials, signage, and event programs; (b) documentation and promotion of the event or subject matter photographed; and (c) for individual (non-business) Clients, personal, non-commercial use including personal social media, prints, and albums.
7.3 The following are NOT Permitted Uses and require Photographer’s prior written consent and a separate license fee: (a) paid advertising placements, including boosted or sponsored social posts and paid media buys; (b) merchandise, products, packaging, or anything offered for sale bearing the Photographs; (c) billboards, out-of-home advertising, or broadcast; (d) sublicensing or supplying the Photographs to a third party for that third party’s own promotional use, including sponsors, brands, venues, labels, agencies, or media outlets; and (e) use of the Photographs to train, fine-tune, or develop any machine learning or artificial intelligence system or model.
7.4 Client may supply the Photographs to vendors such as printers, designers, or web developers acting on Client’s behalf solely to carry out the Permitted Uses, provided those vendors are bound by the restrictions in this Agreement.
8. Credit, Attribution, and Collaboration Posts
8.1 Where reasonably practicable, Client will accompany each published use of a Photograph with a credit to Photographer in the form "Photo: @chedeuxx," or such other credit as Photographer designates in writing. On platforms that support tagging or mentions, Client will tag or mention @chedeuxx where practicable.
8.2 Inadvertent failure to provide credit is not a breach if corrected promptly after notice.
8.3 Collaboration posts. Either Party may ask the other to publish a Photograph as a joint or collaborative post (for example an Instagram Collab, a TikTok co-post, or an equivalent feature on any other platform), where the post appears on both accounts and both Parties are named as authors of it. A collaboration post happens only if both Parties agree to that particular post; agreement given in writing, including by direct message or email, is sufficient, and either Party may decline any request for any reason or none, with no consequence under this Agreement. Neither Party is entitled to a fee for a collaboration post. Either Party may later remove, hide, or withdraw from a collaboration post on their own account without notice, and doing so is not a breach of this Agreement. A collaboration post does not transfer, expand, or alter any right in the Photographs; the license in Section 7, the credit obligation in this Section, and the restrictions in Section 9 continue to apply to it.
9. Restrictions
Client will not, and will not permit any third party to: (a) sell, resell, license, sublicense, rent, lend, or otherwise transfer the Photographs or any rights in them except as permitted by Section 7.4; (b) claim authorship or ownership of the Photographs, or register or attempt to register any Photograph with any copyright office or similar authority; (c) materially alter, distort, or create derivative works from the Photographs, other than reasonable cropping, resizing, and minor color adjustment for layout purposes. Applying filters, presets, or other color grading that materially changes the delivered edit is not permitted; (d) remove, obscure, or alter any watermark, credit, or copyright-management information embedded in or accompanying the Photographs; or (e) use the Photographs in any manner that is unlawful, defamatory, obscene, misleading, or that could reasonably bring any person depicted into disrepute. Nothing in this Section restricts Client from expressing an honest opinion about Photographer or about working with Photographer. Posting a Photograph to a social media platform in the ordinary course is not a breach of this Section. In particular, the licence a platform requires as a condition of posting is not a prohibited sublicence under clause (a) or Section 7.1, and a platform automatically stripping metadata on upload is not a breach of clause (d).
10. Photographer’s Portfolio, Promotional Use, and Behind-the-Scenes Capture
10.1 Client grants Photographer the right to use the Photographs in Photographer’s portfolio, website, social media, printed promotional materials, competition and award submissions, and client presentations.
10.2 Photographer will not use the Photographs in third-party paid advertising for an unrelated brand without Client’s written consent.
10.3 Client may request in writing that a specific Photograph be withdrawn from Photographer’s active promotional use, and Photographer will remove it from Photographer-controlled channels within a reasonable period. This does not require Photographer to recall printed materials already distributed or to remove third-party reposts outside Photographer’s control.
10.4 Behind-the-scenes capture. Photographer reserves the right to record behind-the-scenes photographs, video, and audio during the Session, including footage of the location, the equipment, the working process, and Client and any person present, and audio of conversations Photographer is party to, and to use that material in Photographer’s portfolio, on Photographer’s website and social media accounts, and in Photographer’s other promotional material. Behind-the-scenes material is a separate work from the Photographs; Photographer is its sole author and owner, it is not part of the deliverables in Section 4, and no license to it is granted to Client except by separate written agreement. Photographer will tell Client when behind-the-scenes recording is happening. Client, or any person present, may ask at any time, before, during or after the Session, not to appear in behind-the-scenes material, and Photographer will honor that request going forward and will remove existing material featuring that person from Photographer-controlled channels within a reasonable period; the limits in 10.3 on recalling distributed material and third-party reposts apply equally. Photographer will not publish behind-the-scenes material that shows a person in a state of undress, a private or restricted area the venue has asked to be kept off camera, or anything the Parties have agreed in writing is confidential.
11. Client Responsibilities, Access, and Safety
11.1 Client will provide, or ensure Photographer is provided with, timely access to the location, any credentials or passes required, and reasonable working conditions, including access to power and a secure place to leave equipment where applicable.
11.2 Client is responsible for securing permission from the venue or property owner for photography at the location, and for advising Photographer in advance of any venue rule restricting photography, flash, or equipment.
11.3 Photographer may pause or discontinue the Session, without refund, if conditions at the location become unsafe, or if any person present is abusive, threatening, or materially interferes with Photographer’s ability to work. Photographer will notify Client before doing so where circumstances allow.
11.4 Wardrobe. Where the Session involves particular outfits, Client will send Photographer what they intend to wear, as photographs or a clear description, at least ten (10) days before the Session, so that both Parties can agree it in advance. Photographer may accept something later, and will say so in writing. If nothing has been sent and nothing later has been agreed by that point, Photographer may shoot the Session with whatever is brought on the day, propose a new date, or treat the Session as cancelled under Section 3, at Photographer’s discretion. This is not about taste. Lighting, location and the concept are chosen around what somebody is wearing, and ten days is what it takes to plan around it or to change course without wasting the day.
12. Permissions and Releases
12.1 Photographer makes no representation or warranty that model releases, property releases, trademark clearances, or other consents have been obtained for any person, property, artwork, logo, or other subject matter depicted in the Photographs. Client is solely responsible for determining whether any such release or consent is required for Client’s intended uses, and for obtaining it.
12.2 Where the Session is an event open to attendees, Client is responsible for notifying attendees that photography will take place, including by signage or ticket terms where appropriate.
12.3 Photographer will honor a reasonable request from an identifiable individual depicted in a Photograph to have that image removed from Photographer’s own public channels.
12.4 Photographer does not photograph anyone under the age of eighteen (18) in a directed or posed capacity unless a parent or legal guardian is present and has consented in writing. Where Client is arranging the Session for someone else, Client will tell Photographer in advance if any person to be photographed in a directed or posed capacity is under eighteen. Where Client is themselves the person being photographed, this obligation is Photographer’s alone and Client is not responsible for it.
13. Force Majeure
13.1 Neither Party is liable for failure or delay in performance caused by an event beyond its reasonable control, including illness, injury, death in the family, severe weather, fire, flood, epidemic, act of government, civil disturbance, labor action, venue closure, or failure of transport ("Force Majeure Event").
13.2 If Photographer cannot perform the Session due to a Force Majeure Event, Photographer will notify Client as soon as reasonably possible and will refund all amounts paid, including any deposit. This refund is Photographer’s sole liability in those circumstances.
13.3 If equipment fails, media is corrupted, or files are lost or damaged despite Photographer’s reasonable care, Photographer’s liability is limited as set out in Section 14. Photographer maintains reasonable backup practices, including duplicate storage of files where practicable.
14. Limited Warranty; Limitation of Liability
14.1 Photographer warrants that the services will be performed in a professional and workmanlike manner consistent with prevailing industry standards. Except as stated in this Section and in Section 18, the Photographs and services are provided "AS IS," without warranty of any kind, express or implied, including any warranty of merchantability, fitness for a particular purpose, title, or non-infringement.
14.2 TO THE MAXIMUM EXTENT PERMITTED BY LAW, NEITHER PARTY IS LIABLE FOR ANY INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL, EXEMPLARY, OR PUNITIVE DAMAGES, OR FOR LOST PROFITS OR LOST DATA, ARISING OUT OF OR RELATING TO THIS AGREEMENT OR THE PHOTOGRAPHS, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.
14.3 PHOTOGRAPHER’S TOTAL AGGREGATE LIABILITY UNDER THIS AGREEMENT, FOR ANY CAUSE AND REGARDLESS OF THE FORM OF ACTION, SHALL NOT EXCEED THE TOTAL AMOUNT ACTUALLY PAID BY CLIENT TO PHOTOGRAPHER UNDER THIS AGREEMENT.
15. Indemnification
Client will defend, indemnify, and hold harmless Photographer and its members, managers, officers, employees, and agents from and against any claims, demands, losses, liabilities, damages, judgments, settlements, costs, and expenses (including reasonable attorneys’ fees) arising out of or relating to: (a) Client’s use of the Photographs; (b) any breach of this Agreement by Client; (c) any use of the Photographs by third parties who obtained them from or through Client; or (d) any claim by a person depicted in the Photographs arising from Client’s use of them.
16. Term and Termination
16.1 This Agreement takes effect on the Effective Date and continues until terminated as provided in this Section.
16.2 Photographer may terminate this Agreement immediately upon written notice (including email) if Client breaches any provision of this Agreement, including non-payment.
16.3 Upon termination, all rights granted to Client cease immediately, and Client will promptly discontinue all new uses of the Photographs and, at Photographer’s request, delete digital copies in Client’s possession or control. Client is not required to recall printed materials already distributed prior to termination. This paragraph does not apply where the total fee in Schedule A is zero: in that case the licence granted to Model under R8 of the Model Release is irrevocable and survives termination of this Agreement for any reason. Photographer is not in the business of taking away somebody’s right to their own portrait over a missed credit.
16.4 Sections 6, 9, 10, 12, 14, 15, 17, and 18, and the whole of the Model Release, survive termination of this Agreement.
17. General Provisions
17.1 Independent Contractor. Photographer performs as an independent contractor. Nothing in this Agreement creates any partnership, joint venture, employment, or agency relationship between the Parties.
17.2 Assignment. Client may not assign or transfer this Agreement or any rights under it without Photographer’s prior written consent; any attempted assignment in violation of this Section is void.
17.3 Entire Agreement. This Agreement, including Schedule A, is the entire agreement of the Parties concerning its subject matter and supersedes all prior or contemporaneous understandings, whether written or oral.
17.4 Amendment; Waiver. Any amendment or waiver must be in a writing signed by both Parties. No failure or delay in exercising any right operates as a waiver of it.
17.5 Severability. If any provision is held unenforceable, it will be modified to the minimum extent necessary, and the remaining provisions remain in full force.
17.6 Notices. Notices under this Agreement may be given by email to the addresses stated in Schedule A and are effective when sent, absent a delivery failure notice.
17.7 Governing Law; Venue. This Agreement is governed by the laws of the State of Ohio, without regard to conflict-of-laws principles, and the Parties consent to the exclusive jurisdiction and venue of the state and federal courts located in Hamilton County, Ohio.
17.8 Dispute Resolution. Before commencing any action, the Parties will attempt in good faith to resolve any dispute through direct discussion for a period of thirty (30) days after written notice of the dispute.
17.9 Injunctive Relief. Client acknowledges that unauthorized use of the Photographs would cause Photographer irreparable harm for which monetary damages may be inadequate, and Photographer is entitled to seek injunctive relief in addition to all other remedies.
17.10 Attorneys’ Fees. In any action to enforce this Agreement, the prevailing Party is entitled to recover its reasonable attorneys’ fees and costs.
17.11 Counterparts; Electronic Signatures. This Agreement may be executed in counterparts, including by electronic signature or scanned copy, each of which is deemed an original.
17.12 Versions. Photographer publishes the current form of this Agreement, unsigned and in full, at chedeuxx.com/contract, with the date it took effect. The version published on the date Client signs is the version that governs Client, and a later change does not alter it. Where Photographer later changes a term in Client’s favour, that change applies to Client automatically from the date it is published, with no action required and no further signature. Where Photographer changes a term in Photographer’s own favour, that change applies only to agreements signed on or after the date it is published. Photographer will not apply a term retroactively against anyone who has already signed.
18. Your Information, and Where AI Is and Is Not Used
18.1 The Photographs are photographs. Every image delivered under this Agreement was made with a camera, pointed by a person, at a real subject in a real place. Photographer does not deliver AI-generated images, does not build a scene that was not photographed, and does not replace any person with a synthetic or invented one. The person in the photograph is the person who was there.
18.2 The editing uses AI-assisted tools, and this is what that means. Photographer edits by hand in ordinary photo software and uses the machine-learning tools built into it: selecting a subject or a sky so an adjustment lands in the right place, reducing noise, retouching, cleaning up details, and removing or adding elements within a frame. Client may ask at any time what was done to any individual Photograph, and Photographer will answer honestly and specifically.
18.3 Client’s images are never used to train AI. Photographer will not use the Photographs, the behind-the-scenes material, or any image of Client to train, fine-tune, or develop any artificial intelligence system, and will not sell, license, or supply them to anyone else for that purpose. This mirrors the restriction on Client in 7.3(e). Some editing tools process a frame on the software vendor’s servers rather than on Photographer’s computer; for those, Photographer keeps the vendor’s content-analysis and model-training settings switched off.
18.4 Administration. Photographer uses AI-assisted software, including Anthropic’s Claude, for office work: drafting and checking email, organizing applications and bookings, scheduling, and writing code for Photographer’s own website. Information about Client is reduced to what the task needs, identifying details are removed wherever the task allows, and Photographer keeps every available training setting switched off. No software decides whether anyone is booked. Photographer makes the final decision on every application personally.
18.5 Who sees your information, how long it is kept, and how to opt out. Besides Photographer, an application may be seen by the service providers needed to run the business and by the small number of people who help Photographer run a round, such as an assistant or a member of Photographer’s creative team. Those people get only what they need in order to help choose and plan, are required to keep it confidential, and keep no copy of their own. Applications and related messages, including any photographs uploaded with an application, are kept on file indefinitely, because Photographer runs rounds several times a year and goes back through past applications when a concept suits somebody who applied before. Client may ask Photographer in writing at any time to delete their application and everything attached to it, and Photographer will do so promptly and without asking why. Client may also tell Photographer in writing, at any time, that their information is not to be entered into any AI-assisted tool; Photographer will honour that from the moment it is received, at no cost, with no effect on whether Client is booked. Nothing in this Section limits any right Client has under applicable law to see, correct, or delete what Photographer holds.
Schedule B: where nobody is paying
This Schedule applies automatically to any Session where the total fee in Schedule A is zero, including every model call shoot. Where it conflicts with the body of the Agreement, this Schedule controls.
B1. Indemnity. Section 15 applies only to claims arising from Client’s deliberate or reckless misuse of the Photographs, and does not include a duty to defend. Client is not asked to fund a defence of anything in exchange for a free shoot.
B2. Liability. Section 14.3 is read as a cap of one thousand dollars ($1,000) rather than the amount paid. A cap of zero is not a cap, it is the absence of a remedy, and neither Party benefits from that.
B3. Revisions. Section 4.4 does not apply. Selection and editing are Photographer’s, as R7 says and as the model call page says before anyone applies.
B4. Location. Section 11.2 does not apply. Photographer chooses the location for these Sessions, so obtaining any permission it needs is Photographer’s responsibility, not Client’s.
B5. The licence to Client survives. The licence in R8 of the Model Release is irrevocable and survives termination of the Agreement for any reason, as set out in 16.3.
B6. Ending the Session. Either Party may end the Session at any time, for any reason or none. Neither owes the other anything if they do, except that Photographer will still deliver any usable images already made.
B7. What is fixed for a model call. Total fee $0. No deposit. At least the number of edited images stated on the model call page, within thirty (30) days of the Session. Delivery by private gallery link. Gallery available for at least ninety (90) days from delivery. Travel is Client’s own. Credit handle @chedeuxx.
Schedule A: booking details
The only part that changes between one person and the next. On the copy you would sign, these are filled in and agreed before anyone signs anything:
- Your legal name and contact details
- Type of session
- Date, start and end time
- Location or locations
- Hours included, and any overtime rate
- Total fee, and which payment option applies
- Deposit, if any
- Travel and expenses
- Number of edited images
- Delivery turnaround and method
- How long the gallery stays up
- Credit handle, and any additional terms
Both Parties sign. Electronic signatures count. You get a copy.
Second document
Model Release
This Release is signed together with the Photography Services and License Agreement above, and is read as part of it. It applies to any Session where a person is the subject, including unpaid portfolio and model call shoots where the fee in Schedule A is zero. Only a person aged eighteen (18) or over may sign it.
Why there are two documents
The agreement above is about the pictures: who owns them, what each of us can do with them. This one is about you: that you agreed to be photographed, and what I can do with your face. They are separate because they answer different questions, and because a shoot with no person in it does not need the second one.
R1. What "the Images" means
"Model" is the person signing this Release. "Photographer" is Chedeuxx LLC, an Ohio limited liability company. "The Images" means everything made at or around the Session in which Model appears: the photographs, any video or audio, the behind-the-scenes material described in Section 10.4, out-takes and unused frames, and every edited version of any of them.
R2. Age, and that this is freely given
Model warrants that Model is eighteen (18) years of age or older on the date of the Session, is signing freely and without payment or pressure, has read this Release and the Agreement it accompanies, has had the opportunity to ask about anything in either, and is not under any agency, management, or exclusivity arrangement that would prevent signing. Photographer relies on this warranty, and this Release is void if it is untrue.
R3. Consent to be photographed
Model consents to being photographed, filmed, and recorded at the Session, including behind-the-scenes recording, on the terms set out in the Agreement.
R4. The grant
Model irrevocably grants Photographer, and anyone Photographer authorizes, the perpetual, worldwide, royalty-free, non-exclusive right to use, reproduce, publish, exhibit, distribute, display, and adapt the Images, and to use Model’s name, likeness, image, appearance, and voice as they appear in the Images, in any medium now known or later developed, for: Photographer’s portfolio, website, social media accounts, and printed promotional material; competition, award, and exhibition entries; editorial and press use; presentations to clients; and commercial use in connection with Photographer’s own business.
"Adapt" here means cropping, resizing, colour grading, retouching, and format changes made in the ordinary course of editing, on the terms in Section 18. It does not extend to anything Section 18.1 rules out.
R5. What the grant does not cover
Photographer will not license or supply the Images to a third party for the purpose of advertising that third party’s product or service, and will not use the Images in any way that states or implies that Model endorses a product, service, organization, candidate, or political position, without Model’s separate written consent. Photographer will not use the Images in a pornographic, obscene, or unlawful context, or in a context that would reasonably be defamatory of Model.
For the avoidance of doubt: Photographer promoting Photographer’s own photography, including in paid, boosted, or sponsored social media advertising, and including in recruitment for future model calls, is a use in connection with Photographer’s own business under R4 and is not an endorsement of a third party for the purposes of this paragraph. Model may ask Photographer at any time not to use a particular Image in paid advertising, and Photographer will honour that going forward.
R6. No AI training, and no synthetic likeness
Photographer will not use the Images, or Model’s likeness, to train, fine-tune, evaluate, or develop any artificial intelligence system or model, and will not sell, license, or otherwise supply them to any third party for that purpose. Photographer will not create, publish, or authorize an AI-generated or AI-altered version of Model’s face or body. Section 18 of the Agreement sets out in full which editing tools are and are not used, and applies to this Release.
R7. No approval right
Model has no right to inspect, approve, or veto the Images, the selection of them, the edit, the caption, or the context in which they appear, except as provided in R5 and R9.
R8. What Model may do with the delivered images
Photographer grants Model a perpetual, worldwide, non-exclusive, non-transferable licence to use the delivered edited Images for Model’s own personal and portfolio purposes: personal social media, a modelling portfolio, casting and agency submissions, and prints for Model’s own use.
Model may not sell or license the Images, supply them to a brand, agency, or other third party for that party’s promotion, use them in paid or boosted advertising, or use them to train an artificial intelligence system. Model may crop or resize for layout, but may not re-edit them. Filters, presets, and re-grading that materially change the delivered edit are not permitted. Where practicable, Model will credit "@chedeuxx" in the caption and tag the account.
R9. Taking something down
The grant in R4 is irrevocable, which is what makes it usable. Separately from that, Photographer will honour a reasonable written request from Model to remove a specific Image from Photographer-controlled channels, within a reasonable period. That does not extend to printed material already distributed, to reposts by other people, or to uses already made under a licence granted before the request.
R10. No payment, in either direction
No money passes in either direction. The consideration for this Release is Photographer’s promise to deliver the edited images described in Schedule A of the Agreement, and Model confirms that this is good and sufficient consideration and that no other payment is expected or owed.
If Photographer fails to deliver as promised, Model’s remedy is against Photographer for that failure. The grant in R4 is not conditional on delivery and is not affected by it. This is stated plainly because a release that quietly evaporates if a gallery is late is a release neither Party can rely on.
R11. Release of claims
Model releases Photographer, and Photographer’s members, employees, assigns, licensees, and anyone acting with Photographer’s permission, from any claim arising out of the authorized use of the Images, including any claim for defamation, invasion of privacy, right of publicity, false light, or any claim based on blurring, distortion, alteration, or use in composite form occurring in the ordinary course of editing as described in Section 18.
R12. During the Session
Nothing in this Release requires Model to do anything Model is uncomfortable with. Model may pause or end the Session at any point, for any reason or none, and may ask at the time that a particular frame not be taken or be deleted. Model may bring a companion, with advance notice so Photographer knows who to expect. Sessions are clothed; nothing suggestive or borderline is shot. Model may ask at any time, before, during or after, not to appear in behind-the-scenes material.
Model is responsible for their own footwear, clothing, and physical limits, and will not attempt anything they are not comfortable with. Model will tell Photographer straight away if a location, a position, or an instruction feels unsafe, and Photographer will change it. Neither Party is expected to take a risk for a photograph.
R13. General
This Release is read together with the Agreement; where the two conflict on the use of Model’s likeness, this Release controls. It is governed by the laws of the State of Ohio, and the Parties consent to the exclusive jurisdiction and venue of the state and federal courts located in Hamilton County, Ohio. If any provision is held unenforceable it will be modified to the minimum extent necessary and the rest remains in force. This Release may be signed electronically or in counterparts, each of which is an original. Model is entitled to a signed copy and Photographer will provide one.
R14. Model is not an employee
Model is not an employee, intern, apprentice, volunteer, agent, or partner of Photographer, is not performing services for Photographer’s benefit, and neither expects nor is entitled to any wage, salary, or other compensation. Model and Photographer are independent collaborators, each pursuing their own creative and portfolio interests, and each free to walk away.
What is filled in on the signing copy
- Model: printed legal name
- Model: signature and date
- Model: date of birth
- Model: email address
- Model: Instagram handle
- Session date and location
- Photographer: signature, name, title, and date
The short version
Plain English, for the five questions people actually ask. Where this and the documents above disagree, the documents are what count.
Who owns the photos, and what can I do with them?
I own them, because I took them. What you get is permission to use them: post them, print them, put them on your own site, socials, portfolio or casting profiles, forever. What you cannot do is sell them, hand them to a brand, put them in a paid ad, or re-edit them. Crop and resize for layout if you need to, but the edit I deliver is the edit.
What can you do with them?
Use them in my portfolio, on my site and socials, in competition entries, and in ads for my own photography. I also film behind the scenes for my own posts, and you can ask to be left out of that at any point. If there is a photo you would rather I did not use, ask me and I will take it down from my own channels.
Is AI involved in my photos?
The photograph is a photograph: a camera, a real person, a real place. Nothing is generated from nothing and you are never replaced by an invented person. The editing does use the AI-assisted tools built into ordinary photo software, for things like selecting you in the frame, cleaning up noise, retouching, and taking out or putting in small details. Ask me what I did to any particular image and I will tell you. Your photos are never used to train an AI model, by me or anyone else. See Section 18.
Why are there two documents?
The agreement is about the pictures: who owns them and what each of us can do with them. The release is about you: that you agreed to be photographed, and what I can do with your face. If you are in front of the camera you sign both. R5 and R6 are the ones worth reading twice.
What if I need to cancel or reschedule?
Tell me as early as you can. You can reschedule once for free with 14 days notice, as long as I am free on the new date. A deposit, if you paid one, is not refundable, because it was holding your date. On a model call shoot nothing is paid either way, so either of us can call it off.
If something in here reads badly to you, say so before you sign rather than after. Email me at hello@chedeuxx.com. Applying to the model call is at /models.
Photographs by Darrian Chen, Cincinnati, OH.